insightsport.blogg.se - Wavebox singing

WAVEBOX SINGING REGISTRATION
WAVEBOX SINGING CODE

concerns with quartets competing on the same stage twice in different contests.concern - who is the audience on Thursday.Judges would be “volunteers” due to extra day.Reduced or lost revenue from Sat Night Show if moved to Thursday.

WAVEBOX SINGING REGISTRATION

Less: Travel, Registration and Hotel costs vs 2nd event.

Extend existing Single Annual Contest an extra day.

Honor the reasons we went to a Single Annual Contest.

A solution that integrates into a viable Convention model.

Registration cost per contest MUST be reduced as compared to the single contest per year format.

Decrease administrative burden of one contest per year format.

Provide each potential competitor a choice in the contest(s) in which they choose to participate.

Increase participation of all District Choruses and Quartets.We could eventually need to hold a quartet qualifying round in order to reduce number of fall competitors.If we wait longer to address this, result could be inability to complete the required contests during the weekend!.Significantly shrink or completely eliminate the Saturday night show.Results in increased costs, with no additional income.Increase panel size to a quad panel from a triple panel.We may not be able to support our current plan of a semi- annual contest, without significantly increased cost, if at all. Addition of Mixed Harmony as an Affiliate, do we hold a mixed contest annually.We could have as many as 21 choruses in fall of 2016. Choruses are increasing in number, which increases the number of competitors and time required for the contest on Saturday.

Quartets are close to maximizing the time available on Friday for the Semi-Finals.

We are quickly approaching the maximum time constraint to complete the contests on a single weekend. Why review or possibly change a concept we’ve proved works?

Limited time for non-contest activities performances.

Fewer opportunities to meet with other barbershoppers.

Fewer opportunities for coaching/adjudication.

Limited support without a major draw for the event.

Part of proposal was for each Division to hold a Spring Event.

Everyone advanced, so qualifying contests seemed unnecessary.

Time – choruses did not want to spend all year working on contest rather than.

Cost – choruses felt travel costs to two contests was a burden.

All-in-One convention was response to a variety of concerns.

Wavebox visualizes 3D waves (no reflections) Go to rippletank Example: Internal Reflection, and experiment with waves and reflection off a wall in 2D Start the 220a ambisonic-recorder and load those 4 filesĮxperiment with source position, reverberation and wall materials wav files produced by my modified hw2 starter codes, which I stashed here One of the instruments is Chuck's Bowed UG physical model (which ties back to the lecture above).ĭownload 4.

WAVEBOX SINGING CODE

His chuck code can be copied and pasted and then run in webchuck. Tuning Meditation, Pauline Oliveros (1971)ĭifferent performance (binaural recording)Ĭhris Vega's 220a final project inspired by Tuning Meditation after Pauline Oliveros' visit to 220a (2007). listening-and-producing feedback, singers singing with the sounds of singers singing with the sounds of singers. lecture on instruments as non-linear dynamical systems, aka linear resonators (stretched strings, tubes, etc.) coupled to non-linear excitation mechanisms (bows, reeds, etc.)Ĭhuck code examples used in lecture these load into webchuck and run directly in browser Super fast computation of the (I)FIR discovered by Lucier. I am Sitting in a Silo thanks to a 220a student's grain silo and Andrew Zhu's 220a final project (Summer, 2021) which is an efficient chuck chugin for doing convolution. of Thessaloniki (auth) unfinished big sound studio Impulse responses of spaces check out the classic music halls, Epidaurus amphitheater, 220a student's grain silo and the Aristotle U. I am Sitting in a Room, Alvin Lucier (1969) listen to beginning, a bit of the middle and a bit of the end (infinite recursion of an FIR on itself, what to call it? - (I)FIR?) audio feedback, room in a room in a room. 28-Oct Recursion in non-linear dynamical systems, algorithmic composition and physical modeling